Jeff's 180 Credit Media Diploma: Unit 46 Music Video

P1

Analysis of 3 Music Videos

Valkyrie By Battle Tapes

Our House is Dadless By Kid British

Paradise by Coldplay

Practice Music Video

3 Things I've Learned from this Experience

Always use a tripod/shoulder mount/flycam when filming, if you can't only have short shots of freehand filming.

If you have little time to show a narrative, just tell it.

Be extremely careful when editing lip syncing, the footage being slightly out of sync with the music can ruin the whole video.

Similarities and Differences Between 2 different Music Videos.

Paradise by Coldplay ( https://www.youtube.com/watch?v=1G4isv_Fylg )

Valkyrie by Battle Tapes ( https://www.youtube.com/watch?v=v_V13kbY4yI )

Similarities

Both show the band playing live (it is actually them playing while being filmed).

Both have the band members present with their corresponding instruments.

Both videos have credits at the start like the name of the band, song and the name of the Director (Paradise's is Mat Whitecross and Valkyrie's is Eli Berg).

Differences

Paradise's video tells a story and Valkyrie doesn't really.

Paradise's video also has way more locations filmed at, while Valkyrie only has one location filmed at.

Valkyrie's video has much more use of lighting and editing in post.

Valkyrie is Battle Tapes first actual music video.

Valkyrie also uses a lot of close ups of the band, especially the singer, Paradise does have these shots but not as many.

Paradise has establishing shots and shots of the landscape and Valkyrie doesn't.

Andrew Goodwin's Music Video Theory - Dancing in the Distraction Factory

Music Videos demonstrate genre characteristics e.g. stage performance, dance routine boy/girl.

Battle Tapes' video for "Valkyrie" isn't in the performance genre as no one in the in the video is dancing, or the main focus isn't them. The only dancing is the women that appear briefly in some shots. The lead singer could be dancing but the main focus isn't that as the dancing isn't that well choreographed and he could just be jamming to the music like the other members of the band.

There is frequently reference to notion of looking (screen within screens, mirrors, telescopes) and particularly voyeuristic treatment of the female body.

Battle Tapes' video does objectify the female form, but no way near to the amount that Nicki Minaj's "Anaconda" and Fergie's "MILF $" does, as it is their heads and faces get shown and not really their bodies. So it isn't perfect but is no way near as bad so most videos these days. In a way it could be seen as being empowering as Valkyrie's which is the song is referring to are the "choosers of the slain" basically in a battle they decide who dies and goes to Valhalla and those who get to fight another day in Norse mythology and since they were often depicted in the female form so the females used in this video could be the Valkyries the song is reffering to.

Theres is a relationship between music and visuals either illustrative, amplifying, contradicting.

As stated in the previous statement the women that appear in the video could be the Valkyries that the song is reffering to as the song is called "Valkyrie"and Valkyries are depicted as being female.

P2

Song Chosen : Enemy by BionicPIG (Aaron)

Link : Enemy - BionicPIG (Aaron)

Job Role : I am the director in our group, my role is to turn our groups idea into a reality and keep actors and actresses in line when filming.

Ideas Discussed so far :

Initial Draft Idea:

Band walks on and gets ready to play music 0.06. wakes up from sleep with eyes opening. Rubs eyes then looks in the mirror. in bath room. Opens mirror cupboard and takes medication pot out. No meds in it. Checks time. Runs out of the door with pants pulling up and toast in his mouth. Bikes off down the road. Gets to work. Goes to the door. The door is open but he cant get through. someone helps him through. Goes to work station. Computer says hello in words. 'didn't take meds'. He goes to the photo copier. Photocopies something once. Loads of sheets come flying out. Boss gestures to come here. Tells him to go. Leaves building goes to his bike.

Treatment

Pitch Video Link

Script

0 Mise-en-scene	Duration of action
The band walks onto the studio set and starts the beginning of the song.	0.00-0.06
Actor wakes up from sleep and opens eyes wakes up in field.	007-0.16
Actor rubs his eyes; camera goes close up; then pans out again, revealing himself looking in a mirror.	0.17-0.25
He opens the cupboard behind the mirror; revealing an empty pot with ANTIPSYCHOTIC written on it. He shakes it off, looks at his watch and rushes out the door.	0.26-0.36
Shots of the band	0.37-0.42
We see him rushing out the door; franticly straightening his work clothes and bag with a piece of toast in mouth.	0.43-0.48
He then gets on his bike and speeds down the road.	0.49-0.52
We see him arriving at work and locking his bike up, before going towards the entrance and experiencing his first hallucination.	0.53-1.01
He goes towards the automatic door, however it doesn’t open (from his POV), we then cut to a third person view, and see people coming in and out of the doors. He attempts to force them open, but to no avail. Someone then helps him through	1.02-1.21
Shots of the band	1.22-1.27
He goes to his work area and turns the computer on; he sees text on the monitor as if it were talking to him. He freaks out, falling off of his chair before looking back and seeing a normal desktop.	1.28-1.42
We then see him stepping out of his work area to photocopy something, however he prints out loads of copies; rather than just one. He tries his best to control it but his boss sees, and beckons his to come to his office.	1.43-1.55
We see the boss gesturing to the actor that he needs to leave, before opening the door and showing him the way out.	1.56-2.02
Shots of the band	2.03-2.08
He leaves the building looking depressed, grabbing his bike and begins pushing it down the street.	2.09-2.16
We see him getting home and dropping his bike, and stomping towards the front door.	2.17-2.25
He enters his home and makes his way to the kitchen, grabbing a bottle he takes big swigs and moves towards the back door.	2.26-2.40
He enters his back garden with the drink, standing motionless before smashing it on the ground.	2.41-2.46
Shots of the band.	2.47-2.52
We see him smashing other objects (boxes, cans, etc), using slow mo + close ups.	2.53-3.09
We cut to him sitting on the ground with his face in his hands.	3.10-3.14
He steps back inside and we see him walk through the kitchen at a distance, with a letter saying ‘I’m Leaving’ in our close perspective.	3.15-3.25
We cut to a shot of him running a bath, putting both taps on high power.	3.26-3.31
Shots of the band	3.32-3.37
We cut to a shot of him opening a bottle of pills, taking them out of shot, then seeing the pot again, however it is empty.	3.38-3.48
We then cut to a birds eye shot of him in the bath, slowing sinking in as he OD’s.	3.49-4.00

Draft Storyboard

Final Storyboard

Production Schedule

Location Recce

Recce 1 Field

Recce 2 House

Recce 3 Bike Racks

Risk Assessment

Production Title:Enemy – BionicPIG Music Video
Production Dates :	Locations : Long Road Sixth Form
Producer : Sam Tindall	Cast : Sam Tindall, Tom Jackson, Andy Houghton, Jeff Mayall

Hazard	Persons who may be Harmed	Property Which may be damaged	Risk Controls Already in Place	Risk Assessment : LOW, MODERATE, HIGH, EXTREME	Actions Required if Risk Occurs
People tripping over equipment	The person who has tripped and anyone who the tripped person has hit	Any objects they tripped over and any objects they have fallen onto	The cast and crew are told not to run on set if there isn’t need to and to watch where they step, tidy up the location after filming	Moderate	Attend to the person who has fallen and if anyone else has been hurt from the incident and call the emergency services if need be
Smashed Glass	Since we want a glass bottle to be smashed, sharp glass will be on floor and if anyone stands on it it’ll hurt them then	This risk is for after the glass is smashed, so the risk is the broken glass on the floor	Only authorised personnel will be allowed near the broken glass, also clean up the mess afterwards	Low	Attend to the person who has been injured and call the emergency services if need be
Smashing the glass bottle	Anyone who has been caught in the crossfire of the breakage	Anything the glass hits like a nearby car	Everyone needs to stand at a safe distance	Moderate	Attend to the people affected and call the emergency services if need be

Bike Riding	The actor riding, anyone who they hit if they crash	Any vehicles they hit	Make sure road is clear when we film, film at a quiet road	High	Attend to the people harmed and apologise to anyone who was affected
Actor falling from desk	Since we want the actor to fall off their chair as a reaction they might actually injury themselves as they do it	Anything the actor falls onto	Make sure the actor has something soft to land on just in case	Low	Attend to the person hurt and call the emergency services if the situation calls for it
Bath	The actor need to be a bath that has water in it, they will be electrical equipment present, and if the electrical falls into the bath, the water becomes a death hazard and will kill anyone in the water	Any electrical equipment that falls in the bath	Be extremely careful with electrical equipment, film what is necessary and make sure everyone is clear of the water when finished, also tidy up the location afterwards	Extreme	Call the emergency services immediately, keep everyone away from the scene.

Legal and Ethical

LEGAL

Issue	Solved or justified?
Drug Use	We want to have drug use in our music video; the drugs used will just be antidepressants and antipsychotics. Since these aren’t illegal drugs they shouldn’t be a problem will the law. This does inflict on ethical issues, which will be discussed below.
Copyright	Using the music in our video will inflict copyright, to solve this we found the contact details of the original artist which was the email address, we emailed them asking for permission and a few days later they replied allowing us to use it.

ETHICAL

Issue	Solved or justified?
Drug Use	The use of drugs like antidepressants will inflict on ethical issues because of the seriousness of the topic and that can offend people if we don’t take it serious enough so we have to be careful. Also overdosing on drugs is a serious issue because it can inflict suicide.
Mental Illness	The protagonist of our music video has schizophrenia and if we don’t take it serious enough people can get offended or think that this is what all schizophrenic people are like. So we need to be careful and possibly even research why schizophrenic people are like. We also would like to amplify the seriousness of mental illness; so raising awareness is a good thing.
Suicide	The climax of our music video is the protagonist committing suicide by means of overdosing on antidepressants and since this a very real topic we must take it very seriously because if we don’t people will be offended by it and that is the last thing we want our music video to do. We will also be able to raise awareness of suicide by showing how serious of an issue it is.

Age Rating for Our Music Video

We want out music video to be rated “PG” or parental guidance, this restricts what we can have in our music video but with research into other music videos we found that other music video easily follow what is necessary to be PG rated.

For a music video to be PG rated it needs to have minimal usage of any discrimination, drugs, imitable behaviour, bad language, nudity, threat and violence. Our music video only includes drug use but they are things like anti-depressants, no nudity, no discrimination, no bad language, no threat and no violence is present in our music video. The protagonist isn’t portrayed as being someone young child would want to imitate.

Certification and Scheduling

The music is to promote the artist of the song and to promote awareness of mental illness; because of this we have no need to show the video post watershed because it is of a serious nature.

The music video will be shown on music video channels like Vevo, Viva and 4 Music. Like almost every music video these days we will also upload the music video to websites like YouTube and Vimeo.

Model Release Forms

How did you know the equipment: sound and camera were working correctly - what process did you go through?

We knew the equipment was working because before using the equipment we checked the SD card was clear of any footage so we had the maximum amount of space to take as many shots as we liked. We also checked the battery power so we could use the camera for long periods of time. We set the camera to battery saver mode so if it wasn't used after 20 seconds it would go onto standby to save battery. There was no need for the sound to be working as we did not need it for our music video.

B

Did you follow the script/storyboard? How yes/no

Before producing the script we brainstormed our ideas and thought of a main concept/ idea to follow. Then planning out a rough plot after that we produced our draft script. Then from developing that we produced our storyboard. When making the storyboard we made sure it was detailed with relevant camera shots and mise-en-scene. Then with the storyboard we added colour to make our drawings more detailed.

Did you follow safe working practices? How?

Production:

Post-production:
When at the computer we used premier as our editing soft were. Putting our footage in folders we renamed them. Throughout editing we had regular screen breaks every 20-30 minutes. We also made sure no food and drink was near the computers and keeping our work are clear. Although in the screen breaks we made sure to drink plenty of water to keep hydrated when working also going for short walks outside to move our whole body so no joints cramp or hurt.

At the computer we made sure to be at least 50cm away from our screen. When sitting on the desk chair we kept our posture up right with our back straight. Keeping the computer screen 10 to 20 degrease slanted so it reliefs any neck pain when looking at the screen. The adjustable back rest helped us to keep our posture up right and the keyboard being at elbow hight helped us to easily type without getting strain in our arms. Lastly we always kept the seat high perfect so our thigh where parallel to the floor and the balls of our feet where flat on the floor.

Review the Footage

How did you know the equipment: sound and camera were working correctly - what process did you go through?

Did you follow the script/storyboard? How yes/no

Did you follow safe working practices? How?

Production:

We followed safe working practises by regulating how much time we spent filming. Actors were not given a high workload, we had regular breaks so we could discuss different things that could improve our production. We also followed safe working practises by not putting members of public (and anyone involved with the production) at risk. For example there was a scene where sam had to ride a bike into the road. Before we shot the scene we made sure that there was no members of the public in the way. We did this because the location is public property so we have to be vigilant.

Post-production:
When at the computer we used premier as our editing soft were. Putting our footage in folders we renamed them. Throughout editing we had regular screen breaks every 20-30 minutes. We also made sure no food and drink was near the computers and keeping our work are clear. Although in the screen breaks we made sure to drink plenty of water to keep hydrated when working also going for short walks outside to move our whole body so no joints cramp or hurt.

At the computer we made sure to be at least 50cm away from our screen. When sitting on the desk chair we kept our posture up right with our back straight. Keeping the computer screen 10 to 20 degrease slanted so it reliefs any neck pain when looking at the screen. The adjustable back rest helped us to keep our posture up right and the keyboard being at elbow hight helped us to easily type without getting strain in our arms. Lastly we always kept the seat high perfect so our thigh where parallel to the floor and the balls of our feet where flat on the floor.

The production process is generally something like 1/ ideas 2/ script 3/ storyboard, and 4/ recces 5/ filming. How did you follow this process, and what did you do differently/went wrong?

We split work the work evenly throughout the project. We first brainstormed our ideas in a group then developing it from there we chose an idea and developed it more. Then two people worked on the script while another two did recce sheets. Once the script was complete we all worked on a page of the storyboard writing. Then we drew in the detailed images.

When filming we did several re shoots as one day the weather wasn't brilliant so we changed round our filming for the day it was raining we would shoot all the shots inside and when the weather was nicer we would film outside to get our shots.

E

What genre did you decide on and what genre conventions did you use?

The song's genre is indie electro which is just electronic music that is created by someone who hasn't signed a record deal.

The genre of our music video is electric. As our music video genre is electric we decided to implement some conventions to make it clear what the genre of our music video is, e.g. we have the lead singer lip sync to the track. We also have coloured lighting and a unique background for the band member to lip sync in.

P4

Final Edit YouTube Link

Click Here

EDL

TITLE: BionicPIG - Enemy

FCM: NON-DROP FRAME

001 BL V K B 00:00:00:00 00:00:08:09 00:00:00:00 00:00:03:10

FCM: NON-DROP FRAME

001 AX V K 000 00:00:02:03 00:00:05:13 00:00:00:00 00:00:03:10

* KEY CLIP NAME: MVI_5907.MOV

002 BL V C 00:00:00:00 00:00:03:10 00:00:00:00 00:00:03:10

002 BL V K B 00:00:00:00 00:00:04:24 00:00:03:10 00:00:08:09

FCM: NON-DROP FRAME

002 AX V K 000 00:00:04:07 00:00:09:06 00:00:03:10 00:00:08:09

* KEY CLIP NAME: MVI_5900.MOV

003 AX AA C 00:00:01:22 00:04:00:02 00:00:03:10 00:04:01:15

* FROM CLIP NAME: Enemy - BionicPIG.mp3

004 AX V C 00:00:00:00 00:00:01:13 00:00:08:09 00:00:09:23

* FROM CLIP NAME: Laying Down 1.MOV

005 AX V C 00:00:03:16 00:00:07:21 00:00:09:23 00:00:14:04

* FROM CLIP NAME: Waking Up 4.MOV

006 BL V K B 00:00:00:00 00:00:08:24 00:00:14:04 00:00:19:15

FCM: NON-DROP FRAME

006 AX V K 000 00:00:19:12 00:00:24:23 00:00:14:04 00:00:19:15

* KEY CLIP NAME: MVI_5890.MOV

007 BL V C 00:00:00:00 00:00:05:11 00:00:14:04 00:00:19:15

007 BL V K B 00:00:00:00 00:00:03:13 00:00:19:15 00:00:23:03

FCM: NON-DROP FRAME

007 AX V K 000 00:00:24:18 00:00:28:06 00:00:19:15 00:00:23:03

* KEY CLIP NAME: MVI_5901.MOV

008 AX V C 00:00:11:09 00:00:15:15 00:00:23:03 00:00:27:10

* FROM CLIP NAME: Getting Up 1.MOV

009 AX V C 00:00:03:00 00:00:06:22 00:00:27:10 00:00:31:08

* FROM CLIP NAME: Getting Up 2.MOV

010 AX V C 00:00:02:17 00:00:04:00 00:00:31:08 00:00:32:16

* FROM CLIP NAME: Close Up 5.MOV

011 AX V C 00:00:02:05 00:00:05:06 00:00:32:16 00:00:35:17

* FROM CLIP NAME: Close Up 2.MOV

012 AX V C 00:00:03:08 00:00:03:17 00:00:35:17 00:00:36:01

* FROM CLIP NAME: Close Up 1.MOV

013 AX V C 00:00:03:09 00:00:04:09 00:00:36:01 00:00:37:01

* FROM CLIP NAME: Mirror 2.MOV

014 AX V C 00:00:01:14 00:00:11:06 00:00:37:01 00:00:46:18

* FROM CLIP NAME: Washing.MOV

015 BL V K B 00:00:00:00 00:00:04:10 00:00:46:18 00:00:51:03

FCM: NON-DROP FRAME

015 AX V K 000 00:00:12:19 00:00:17:04 00:00:46:18 00:00:51:03

* KEY CLIP NAME: MVI_5893.MOV

016 AX V C 00:00:05:09 00:00:10:22 00:00:51:03 00:00:56:17

* FROM CLIP NAME: MVI_0026.MOV

016 AX V K B 00:00:10:22 00:00:10:23 00:00:56:17 00:00:56:18

FCM: NON-DROP FRAME

016 AX V K 000 00:00:26:14 00:00:26:15 00:00:56:17 00:00:56:18

* FROM CLIP NAME: MVI_0026.MOV

* KEY CLIP NAME: MVI_5902.MOV

017 BL V K B 00:00:00:00 00:00:08:15 00:00:56:18 00:01:01:01

FCM: NON-DROP FRAME

017 AX V K 000 00:00:26:17 00:00:31:00 00:00:56:18 00:01:01:01

* KEY CLIP NAME: MVI_5902.MOV

018 BL V C 00:00:00:00 00:00:04:08 00:00:56:18 00:01:01:01

018 BL V K B 00:00:00:00 00:00:04:07 00:01:01:01 00:01:05:08

FCM: NON-DROP FRAME

018 AX V K 000 00:00:14:20 00:00:19:02 00:01:01:01 00:01:05:08

* KEY CLIP NAME: MVI_5894.MOV

019 AX V C 00:00:02:11 00:00:04:10 00:01:05:08 00:01:07:07

* FROM CLIP NAME: MVI_0037.MOV

020 AX V C 00:00:04:14 00:00:07:09 00:01:07:07 00:01:10:02

* FROM CLIP NAME: MVI_0027.MOV

021 AX V C 00:00:02:22 00:00:04:13 00:01:10:02 00:01:11:17

* FROM CLIP NAME: MVI_0030.MOV

022 AX V C 00:00:07:13 00:00:09:07 00:01:11:17 00:01:13:11

* FROM CLIP NAME: MVI_0029.MOV

023 BL V K B 00:00:00:00 00:00:07:00 00:01:13:11 00:01:20:11

FCM: NON-DROP FRAME

023 AX V K 000 00:00:27:13 00:00:34:13 00:01:13:11 00:01:20:11

* KEY CLIP NAME: MVI_5894.MOV

024 AX V C 00:00:02:04 00:00:05:18 00:01:20:11 00:01:24:00

* FROM CLIP NAME: MVI_0049.MOV

025 AX V C 00:00:05:09 00:00:07:13 00:01:24:00 00:01:26:04

* FROM CLIP NAME: MVI_0051.MOV

026 AX V C 00:00:02:15 00:00:04:07 00:01:26:04 00:01:27:21

* FROM CLIP NAME: MVI_0052.MOV

027 AX V C 00:00:06:07 00:00:09:20 00:01:27:21 00:01:31:10

* FROM CLIP NAME: MVI_0053.MOV

027 AX V K B 00:00:09:20 00:00:09:23 00:01:31:10 00:01:31:13

FCM: NON-DROP FRAME

027 AX V K 000 00:00:17:13 00:00:17:15 00:01:31:10 00:01:31:13

* FROM CLIP NAME: MVI_0053.MOV

* KEY CLIP NAME: MVI_5910.MOV

028 BL V K B 00:00:00:00 00:00:08:07 00:01:31:13 00:01:33:24

FCM: NON-DROP FRAME

028 AX V K 000 00:00:17:17 00:00:20:03 00:01:31:13 00:01:33:24

* KEY CLIP NAME: MVI_5910.MOV

029 BL V C 00:00:00:00 00:00:02:11 00:01:31:13 00:01:33:24

029 BL V K B 00:00:00:00 00:00:05:21 00:01:33:24 00:01:39:20

FCM: NON-DROP FRAME

029 AX V K 000 00:00:21:01 00:00:26:22 00:01:33:24 00:01:39:20

* KEY CLIP NAME: MVI_5904.MOV

030 AX V C 00:00:02:06 00:00:05:13 00:01:39:20 00:01:43:02

* FROM CLIP NAME: Off Bike 7.MOV

031 AX V C 00:00:03:11 00:00:04:16 00:01:43:02 00:01:44:07

* FROM CLIP NAME: Bike Run 2.MOV

032 AX V C 00:00:02:17 00:00:04:03 00:01:44:07 00:01:45:18

* FROM CLIP NAME: Run 2.MOV

033 AX V C 00:00:05:11 00:00:07:07 00:01:45:18 00:01:47:14

* FROM CLIP NAME: Run Low 1.MOV

034 AX V C 00:00:01:15 00:00:02:20 00:01:47:14 00:01:48:19

* FROM CLIP NAME: Enter 1.MOV

035 AX V C 00:00:07:14 00:00:10:13 00:01:48:19 00:01:51:18

* FROM CLIP NAME: Enter Inside 3.MOV

036 AX V C 00:00:01:14 00:00:02:06 00:01:51:18 00:01:52:10

* FROM CLIP NAME: Enter Outside 1.MOV

037 AX V C 00:00:02:02 00:00:03:01 00:01:52:10 00:01:53:09

* FROM CLIP NAME: Enter Ouside 2.MOV

038 AX V C 00:00:01:18 00:00:06:04 00:01:53:09 00:01:57:20

* FROM CLIP NAME: Late 2.MOV

039 AX V C 00:00:03:13 00:00:07:14 00:01:57:20 00:02:01:21

* FROM CLIP NAME: MVI_0024.MOV

039 AX V K B 00:00:07:14 00:00:07:15 00:02:01:21 00:02:01:22

FCM: NON-DROP FRAME

039 AX V K 000 00:00:18:00 00:00:18:01 00:02:01:21 00:02:01:22

* FROM CLIP NAME: MVI_0024.MOV

* KEY CLIP NAME: MVI_5897.MOV

040 BL V K B 00:00:00:00 00:00:05:12 00:02:01:22 00:02:07:09

FCM: NON-DROP FRAME

040 AX V K 000 00:00:18:01 00:00:23:13 00:02:01:22 00:02:07:09

* KEY CLIP NAME: MVI_5897.MOV

041 AX V C 00:00:10:24 00:00:15:00 00:02:07:09 00:02:11:10

* FROM CLIP NAME: MVI_0025.MOV

042 BL V K B 00:00:00:00 00:00:08:15 00:02:11:10 00:02:13:08

FCM: NON-DROP FRAME

042 AX V K 000 00:00:22:11 00:00:24:09 00:02:11:10 00:02:13:08

* KEY CLIP NAME: MVI_5905.MOV

043 BL V C 00:00:00:00 00:00:01:23 00:02:11:10 00:02:13:08

043 BL V K B 00:00:00:00 00:00:06:17 00:02:13:08 00:02:20:00

FCM: NON-DROP FRAME

043 AX V K 000 00:00:20:03 00:00:26:20 00:02:13:08 00:02:20:00

* KEY CLIP NAME: MVI_5911.MOV

044 AX V C 00:00:10:13 00:00:12:04 00:02:20:00 00:02:21:16

* FROM CLIP NAME: MVI_0024.MOV

045 AX V C 00:00:05:06 00:00:11:06 00:02:21:16 00:02:27:16

* FROM CLIP NAME: MVI_0026.MOV

* OPACITY LEVEL AT 00:00:10:07 IS 100.00% (REEL AX)

046 AX V C 00:00:03:02 00:00:05:19 00:02:27:16 00:02:30:08

* FROM CLIP NAME: MVI_0031.MOV

047 AX V C 00:00:09:24 00:00:12:23 00:02:30:08 00:02:33:07

* FROM CLIP NAME: MVI_0026.MOV

* OPACITY LEVEL AT 00:00:10:07 IS 100.00% (REEL AX)

* OPACITY LEVEL AT 00:00:11:02 IS 100.00% (REEL AX)

* OPACITY LEVEL AT 00:00:12:23 IS 0.00% (REEL AX)

048 AX V C 00:00:17:21 00:00:22:12 00:02:33:07 00:02:37:23

* FROM CLIP NAME: MVI_0027.MOV

* OPACITY LEVEL AT 00:00:17:21 IS 5.00% (REEL AX)

* OPACITY LEVEL AT 00:00:19:16 IS 100.00% (REEL AX)

* OPACITY LEVEL AT 00:00:20:04 IS 100.00% (REEL AX)

049 AX V C 00:00:06:08 00:00:07:13 00:02:37:23 00:02:39:03

* FROM CLIP NAME: MVI_0028.MOV

050 AX V C 00:00:05:16 00:00:08:11 00:02:39:03 00:02:41:23

* FROM CLIP NAME: MVI_0031.MOV

051 AX V C 00:00:03:23 00:00:07:05 00:02:41:23 00:02:45:05

* FROM CLIP NAME: MVI_0039.MOV

052 AX V C 00:00:11:16 00:00:12:20 00:02:45:05 00:02:46:09

* FROM CLIP NAME: MVI_0033.MOV

053 AX V C 00:00:02:02 00:00:04:07 00:02:46:09 00:02:48:14

* FROM CLIP NAME: MVI_0061.MOV

054 AX V C 00:00:05:17 00:00:07:07 00:02:48:14 00:02:50:04

* FROM CLIP NAME: MVI_5941.MOV

055 AX V C 00:00:11:17 00:00:13:19 00:02:50:04 00:02:52:06

* FROM CLIP NAME: MVI_5939.MOV

056 BL V K B 00:00:00:00 00:00:01:07 00:02:52:06 00:02:53:13

FCM: NON-DROP FRAME

056 AX V K 000 00:00:04:09 00:00:05:16 00:02:52:06 00:02:53:13

* KEY CLIP NAME: MVI_5911.MOV

057 AX V C 00:00:08:14 00:00:11:11 00:02:53:13 00:02:56:10

* FROM CLIP NAME: Returning 2.MOV

058 BL V K B 00:00:00:00 00:00:09:02 00:02:56:10 00:02:59:10

FCM: NON-DROP FRAME

058 AX V K 000 00:00:13:20 00:00:16:20 00:02:56:10 00:02:59:10

* KEY CLIP NAME: MVI_5906.MOV

059 BL V C 00:00:00:00 00:00:03:00 00:02:56:10 00:02:59:10

059 BL V K B 00:00:00:00 00:00:06:02 00:02:59:10 00:03:03:08

FCM: NON-DROP FRAME

059 AX V K 000 00:00:13:00 00:00:16:23 00:02:59:10 00:03:03:08

* KEY CLIP NAME: MVI_5912.MOV

060 BL V C 00:00:00:00 00:00:06:23 00:02:56:10 00:03:03:08

060 BL V K B 00:00:00:00 00:00:02:04 00:03:03:08 00:03:05:12

FCM: NON-DROP FRAME

060 AX V K 000 00:00:16:02 00:00:18:06 00:03:03:08 00:03:05:12

* KEY CLIP NAME: MVI_5898.MOV

061 AX V C 00:00:00:00 00:00:02:00 00:03:05:12 00:03:07:13

* FROM CLIP NAME: MVI_0057.MOV

062 BL V K B 00:00:00:00 00:00:17:05 00:03:07:13 00:03:15:14

FCM: NON-DROP FRAME

062 AX V K 000 00:00:20:14 00:00:28:15 00:03:07:13 00:03:15:14

* KEY CLIP NAME: MVI_5912.MOV

063 BL V C 00:00:00:00 00:00:08:01 00:03:07:13 00:03:15:14

063 BL V K B 00:00:00:00 00:00:09:04 00:03:15:14 00:03:24:18

FCM: NON-DROP FRAME

063 AX V K 000 00:00:33:11 00:00:42:15 00:03:15:14 00:03:24:18

* KEY CLIP NAME: MVI_5906.MOV

064 AX V C 00:00:04:11 00:00:05:18 00:03:24:18 00:03:26:00

* FROM CLIP NAME: MVI_0058.MOV

065 BL V K B 00:00:00:00 00:00:08:12 00:03:26:00 00:03:34:12

FCM: NON-DROP FRAME

065 AX V K 000 00:00:38:16 00:00:47:03 00:03:26:00 00:03:34:12

* KEY CLIP NAME: MVI_5898.MOV

066 AX V C 00:00:00:00 00:00:02:14 00:03:34:12 00:03:37:02

* FROM CLIP NAME: MVI_0036.MOV

067 BL V K B 00:00:00:00 00:00:02:05 00:03:37:02 00:03:39:07

FCM: NON-DROP FRAME

067 AX V K 000 00:00:40:06 00:00:42:11 00:03:37:02 00:03:39:07

* KEY CLIP NAME: MVI_5912.MOV

068 AX V C 00:00:00:19 00:00:03:02 00:03:39:07 00:03:41:15

* FROM CLIP NAME: MVI_0059.MOV

069 BL V K B 00:00:00:00 00:00:01:16 00:03:41:15 00:03:43:06

FCM: NON-DROP FRAME

069 AX V K 000 00:00:54:20 00:00:56:11 00:03:41:15 00:03:43:06

* KEY CLIP NAME: MVI_5906.MOV

070 AX V C 00:00:01:23 00:00:05:19 00:03:43:06 00:03:47:01

* FROM CLIP NAME: MVI_0064.MOV

071 BL V K B 00:00:00:00 00:00:02:01 00:03:47:01 00:03:49:02

FCM: NON-DROP FRAME

071 AX V K 000 00:01:00:05 00:01:02:06 00:03:47:01 00:03:49:02

* KEY CLIP NAME: MVI_5898.MOV

072 AX V C 00:00:04:15 00:00:05:19 00:03:49:02 00:03:50:06

* FROM CLIP NAME: MVI_0064.MOV

073 AX V C 00:00:05:02 00:00:06:05 00:03:50:06 00:03:51:09

* FROM CLIP NAME: MVI_0064.MOV

074 BL V K B 00:00:00:00 03:56:08:16 00:03:51:09 00:03:56:11

FCM: NON-DROP FRAME

074 AX V K 000 00:01:04:18 00:01:09:20 00:03:51:09 00:03:56:11

* KEY CLIP NAME: MVI_5912.MOV

075 BL V C 00:00:00:00 00:00:05:02 00:03:51:09 00:03:56:11

075 BL V K B 00:00:00:00 03:56:03:14 00:03:56:11 00:03:57:18

FCM: NON-DROP FRAME

075 AX V K 000 00:01:09:20 00:01:11:02 00:03:56:11 00:03:57:18

* KEY CLIP NAME: MVI_5912.MOV

076 BL V C 00:00:00:00 00:00:06:09 00:03:51:09 00:03:57:18

076 BL V K B 00:00:00:00 03:56:02:07 00:03:57:18 00:03:58:18

FCM: NON-DROP FRAME

076 AX V K 000 00:01:10:02 00:01:11:02 00:03:57:18 00:03:58:18

* KEY CLIP NAME: MVI_5912.MOV

077 BL V C 00:00:00:00 00:00:07:09 00:03:51:09 00:03:58:18

077 BL V K B 00:00:00:00 03:56:01:07 00:03:58:18 00:03:59:13

FCM: NON-DROP FRAME

077 AX V K 000 00:01:10:07 00:01:11:02 00:03:58:18 00:03:59:13

* KEY CLIP NAME: MVI_5912.MOV

078 BL V C 00:00:00:00 00:00:08:04 00:03:51:09 00:03:59:13

078 BL V K B 00:00:00:00 03:56:00:12 00:03:59:13 00:04:00:08

FCM: NON-DROP FRAME

078 AX V K 000 00:01:10:07 00:01:11:02 00:03:59:13 00:04:00:08

* KEY CLIP NAME: MVI_5912.MOV

079 BL V C 00:00:00:00 00:00:08:24 00:03:51:09 00:04:00:08

079 BL V K B 00:00:00:00 03:55:59:17 00:04:00:08 00:04:01:03

FCM: NON-DROP FRAME

079 AX V K 000 00:01:10:07 00:01:11:02 00:04:00:08 00:04:01:03

* KEY CLIP NAME: MVI_5912.MOV

* OPACITY LEVEL AT 00:01:10:07 IS 100.00% (REEL AX)

* OPACITY LEVEL AT 00:01:11:02 IS 50.00% (REEL AX)

080 BL V C 00:00:00:00 00:00:09:19 00:03:51:09 00:04:01:03

080 BL V K B 00:00:00:00 03:55:58:22 00:04:01:03 04:00:00:00

FCM: NON-DROP FRAME

080 AX V K 000 00:01:10:07 00:01:10:19 00:04:01:03 00:04:01:15

* KEY CLIP NAME: MVI_5912.MOV

* OPACITY LEVEL AT 00:01:10:07 IS 50.00% (REEL AX)

* OPACITY LEVEL AT 00:01:10:19 IS 0.00% (REEL AX)

Logging Rushes

Five Stills Comparison

Jeff's 180 Credit Media Diploma

Pages

Unit 46 Music Video

No comments:

Post a Comment